Germanium Fuzz Face

Created by my Friend Purbo Laksono From Laxonov Pedals...

TS808 Handwired Layout

Not Verified Yet...

problaby one of the most wanted overdrive..just build and listen

Little Green Wonder Handwired Layout

From MadProfessor;

BJF DESIGN HIGH HEADROOM OVERDRIVE WITH ADJUSTABLE LOW/MID EQ BALANCE.
Premium quality classic blues/rock pedal that works very well with complex overdriven amp sound. This pedals is now offered as lower priced pcb-model or hand wired pedal.

Both share the same specs and tone.

It’s a low compression, high headroom overdrive with high output, and it has a Body knob for adjusting low-mid content and treble.

The LGW was made to be a stackable overdrive that could go anywhere in the pedal chain and the compression normally associated with this type of circuit is reduced same as several distortion mechanisms.

This pedal will work very well with amps and other pedals that have a lot of complexity or compression, a situation that not all pedals work well.

LGW makes a great building block to sound yet it works standalone and especially with humbuckers where normally this type of circuit would not work satisfactory, much due to bass loss and sometimes separated sounds (where transients feed through and a cloud of distortion follows beneath.

Body control gives access to medium midhump at center position and allows treble boost at cw rotation and low mid/treble boost a ccw position and so unit also can provide distortion albeit a smooth type. LGW can be used as an overdrive to already distorting amplifiers or pedals downstream, as well as function as a filter when feed with fuzz pedals that may be rough on some amplifiers and can also be used as light overdrive for just breaking up sounds.


please check schematic for wiring Gain Body and Volume Pot.

CrunchBox Handwired Layout

From MI AUDIO ;


The Crunch Box Distortion is our take on high gain British amp distortion. Careful multiple clipping architecture design and development has meant we have achieved our goal of creating a pedal which captures the huge crunch of a Marshall on steroids.
GAIN – from the lightest breakup to insane high gain scream
TONE – custom taper control which adjusts the high end cut of the pedal.
VOLUME – tapered for a more gradual and controlled volume sweep.
INTERNAL PRESENCE CONTROL – for adjusting the ‘shape’ of the Crunch Box’s sonic footprint.

and here is handwired layout version..not fully handwired but close

for pot wiring please look at schematic
T=Tone
G=Gain
P=Presence